CENTER FOR THE ART OF EAST ASIA
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66 Nelson-Atkins Museum of Art 59 Philadelphia Museum of Art 47 Harvard Art Museums 40 National Museum of Asian Art 33 Osaka City Museum of Fine Arts 32 private collection 31 unknown 29 Tokyo National Museum 21 Museum Rietberg 20 University of Pennsylvania, Museum of Archaeology and Anthropology 19 Metropolitan Museum of Art 14 Nezu Art Museum 13 Asian Art Museum of San Francisco 12 Cleveland Museum of Art 10 Columbia University 8 Museo nazionale d’arte orientale 8 Museum of Fine Arts, Boston 8 Rijksmuseum voor Volkenkunde 7 British Museum 7 Honolulu Museum of Art 7 San Diego Museum of Art 6 Barnes Foundation 6 Koninklijk Instituut voor het Kunstpatrimonium 6 National Museum of China 6 Victoria and Albert Museum 5 Tsz Shan Monastery Buddhist Art Museum 4 Cincinnati Art Museum 4 Museum für Ostasiatische Kunst 4 Museum of Far Eastern Antiquities 4 Royal Ontario Museum 4 University of Tokyo, Museum of Art and History 3 Art Institute of Chicago 3 Columbia University, Avery Architectural and Fine Arts Library 2 Clark Art Institute 2 Detroit Institute of Arts 2 Guimet Museum 2 Harvard Library 2 Idemitsu Museum of Art 2 J. J. Lally & Co. New York 2 Kyushu National Museum 2 Masaki Art Museum 2 Miho Museum 2 Minneapolis Institute of Arts 2 Museum of Oriental Ceramics, Osaka 2 Nara National Museum 2 National Gallery of Victoria 2 Ohara Museum of Art 2 Rijksmuseum 2 Seattle Art Museum 2 Villa I Tatti 2 Virginia Museum of Fine Arts 2 Wadsworth Atheneum 1 Aurora Art Museum 1 Brooklyn Museum of Art 1 Cernuschi Museum 1 Kosetsu Museum of Art 1 Morgan Library & Museum 1 Nezu Museum 1 Palace Museum 1 Portland Art Museum 1 Rhode Island School of Design, Museum of Art
Bodhisattva Standing
  • Title Translation: 立菩萨
  • Period: Tang, 618-907 C.E.
  • Project: Tianlongshan Caves
  • Work Description: The bodhisattva wears flowing scarves and skirt that emphasize the rounded contours of the body. The head is not original.
618 - 907

Guardian Head
  • Title Translation: 天王、护法力士头
  • Period: Northern Qi, 550-577 C.E.
  • Project: Tianlongshan Caves
  • Work Description: The head is from a guardian figure on the east side of the entrance porch of Cave 16. It is currently matched with a body of unknown origin.
550 - 577

Flying Divinity
  • Title Translation: 飞天
  • Period: Northern Qi, 550-577 C.E.
  • Project: Tianlongshan Caves
  • Work Description: The heavenly musician from the ceiling of Cave 16 plays a pipa or lute-like instrument.
550 - 577

Bodhisattva Standing
  • Title Translation: 立菩萨
  • Period: Eastern Wei, 534-550 C.E.
  • Project: Tianlongshan Caves
  • Work Description: This is an assembled figure whose body and head were taken from Cave 2 and Cave 3 respectively, both dating to the first half of the sixth century.
534 - 550

Bodhisattva Head
  • Title Translation: 菩萨头
  • Period: Tang, 618-907 C.E.
  • Project: Tianlongshan Caves
  • Work Description: Yamanaka and Co formerly owned this head from Cave 17.
618 - 907

Bodhisattva Head
  • Title Translation: 菩萨头
  • Period: Tang, 618-907 C.E.
  • Project: Tianlongshan Caves
  • Work Description: The head is believed to be from a standing figure on the west wall of Cave 17.
618 - 907

Buddha Head
  • Title Translation: 佛头
  • Period: Northern Qi, 550-577 C.E.
  • Project: Tianlongshan Caves
  • Work Description: This head is that of the Buddha seated in the north wall niche of Cave 1.
550 - 577

Cave 10
  • Title Translation: 第十窟
  • Period: Northern Qi, 550-577 C.E.
  • Project: Tianlongshan Caves
  • Work Description: Cave 10 is a Northern Qi cave that is just west of the colossal sculptures and wooden structure of Cave 9. It is accessible through an opening in the east wall adjacent to Cave 9. The entrance porch is now high above path in front of the cave. Still partially preserved on the west side, it has one large pillar remaining on the west side. The entrance porch has two guardian figures standing outside, one of which mostly remains. Like the other caves of the Northern Qi period at Tianlongshan, this is one of the larger caves, its interior a square chamber more than three meters on each side with figures carved on four walls. There are recessed niches on the back and side walls that contain most of the principle sculptural images. Smaller figures of musicians and lions appear along the front of the low altar.
550 - 577

Cave 1
  • Title Translation: 第一窟
  • Period: Northern Qi, 550-577 C.E.
  • Project: Tianlongshan Caves
  • Work Description: Cave 1 is located at the far eastern end of the Tianlongshan caves site more than thirty meters from the the next cave, Cave 2. It is one of the larger caves, believed to be of the Northern Qi period. The facade still has part of the eave over the entrance porch showing architectural elements of posts and brackets and tiled roof carved in stone. The porch is about 3.5 meters wide and has an old stele carved on the right side. There was a dedicatory inscription carved on it, but only a few characters are now legible. The interior is a square chamber with niches on the back and side walls, each formerly containing a seated Buddha and two bodhisattvas.
550 - 577

Cave 1
  • Title Translation: 第一窟
  • Period: Northern Qi, 550-577 C.E.
  • Project: Tianlongshan Caves
  • Work Description: Cave 1 is located at the far eastern end of the Tianlongshan caves site more than thirty meters from the the next cave, Cave 2. It is one of the larger caves, believed to be of the Northern Qi period. The facade still has part of the eave over the entrance porch showing architectural elements of posts and brackets and tiled roof carved in stone. The porch is about 3.5 meters wide and has an old stele carved on the right side. There was a dedicatory inscription carved on it, but only a few characters are now legible. The interior is a square chamber with niches on the back and side walls, each formerly containing a seated Buddha and two bodhisattvas.
550 - 577

Cave 1
  • Title Translation: 第一窟
  • Period: Northern Qi, 550-577 C.E.
  • Project: Tianlongshan Caves
  • Work Description: Cave 1 is located at the far eastern end of the Tianlongshan caves site more than thirty meters from the the next cave, Cave 2. It is one of the larger caves, believed to be of the Northern Qi period. The facade still has part of the eave over the entrance porch showing architectural elements of posts and brackets and tiled roof carved in stone. The porch is about 3.5 meters wide and has an old stele carved on the right side. There was a dedicatory inscription carved on it, but only a few characters are now legible. The interior is a square chamber with niches on the back and side walls, each formerly containing a seated Buddha and two bodhisattvas.
550 - 577

Cave 2
  • Title Translation: 第二窟
  • Period: Eastern Wei, 534-550 C.E.
  • Project: Tianlongshan Caves
  • Work Description: Cave 2 and 3, the paired caves, are believed to be from the Eastern Wei period and are the earliest caves at Tianlongshan. They are located on the eastern side of the Tianlongshan caves site and below the upper level caves. Cave 2 is on the right. The caves are distinctive for the many relief carvings on the walls and ceiling, most of which have been removed.
534 - 550

Cave 2
  • Title Translation: 第二窟
  • Period: Eastern Wei, 534-550 C.E.
  • Project: Tianlongshan Caves
  • Work Description: Cave 2 and 3, the paired caves, are believed to be from the Eastern Wei period and are the earliest caves at Tianlongshan. They are located on the eastern side of the Tianlongshan caves site and below the upper level caves. Cave 2 is on the right. The caves are distinctive for the many relief carvings on the walls and ceiling, most of which have been removed.
534 - 550

Cave 3
  • Title Translation: 第三窟
  • Period: Eastern Wei, 534-550 C.E.
  • Project: Tianlongshan Caves
  • Work Description: Like Cave 2, Cave 3 has a square plan with Buddha and bodhisattva images with relief carvings on three walls.
534 - 550

Cave 3
  • Title Translation: 第三窟
  • Period: Eastern Wei, 534-550 C.E.
  • Project: Tianlongshan Caves
  • Work Description: Like Cave 2, Cave 3 has a square plan with Buddha and bodhisattva images with relief carvings on three walls.
534 - 550

Cave 3
  • Title Translation: 第三窟
  • Period: Eastern Wei, 534-550 C.E.
  • Project: Tianlongshan Caves
  • Work Description: Like Cave 2, Cave 3 has a square plan with Buddha and bodhisattva images with relief carvings on three walls.
534 - 550

Cave 3
  • Title Translation: 第三窟
  • Period: Eastern Wei, 534-550 C.E.
  • Project: Tianlongshan Caves
  • Work Description: Like Cave 2, Cave 3 has a square plan with Buddha and bodhisattva images with relief carvings on three walls.
534 - 550

Cave 4
  • Title Translation: 第四窟
  • Period: Tang, 618-907 C.E.
  • Project: Tianlongshan Caves
  • Work Description: Cave 4 is a small cave of the Tang dynasty. The existing porch in front of the entrance is about 1.5 meters wide. There were originally seven sculpted figures in the cave, a seated Buddha on the back wall, two seated bodhisattvas in the corners on the east and west side, and four standing figures. Most have been cut away.
618 - 907

Cave 4
  • Title Translation: 第四窟
  • Period: Tang, 618-907 C.E.
  • Project: Tianlongshan Caves
  • Work Description: Cave 4 is a small cave of the Tang dynasty. The existing porch in front of the entrance is about 1.5 meters wide. There were originally seven sculpted figures in the cave, a seated Buddha on the back wall, two seated bodhisattvas in the corners on the east and west side, and four standing figures. Most have been cut away.
618 - 907

Cave 4
  • Title Translation: 第四窟
  • Period: Tang, 618-907 C.E.
  • Project: Tianlongshan Caves
  • Work Description: Cave 4 is a small cave of the Tang dynasty. The existing porch in front of the entrance is about 1.5 meters wide. There were originally seven sculpted figures in the cave, a seated Buddha on the back wall, two seated bodhisattvas in the corners on the east and west side, and four standing figures. Most have been cut away.
618 - 907

Cave 5
  • Title Translation: 第五窟
  • Period: Tang, 618-907 C.E.
  • Project: Tianlongshan Caves
  • Work Description: Cave 5 is a small Tang dynasty cave whose front wall is now missing so that its original plan and contents are now unknown. Two seated images remain, a Buddha and bodhisattva.
618 - 907

Cave 6
  • Title Translation: 第六窟
  • Period: Tang, 618-907 C.E.
  • Project: Tianlongshan Caves
  • Work Description: Cave 6 is a small square cave of the Tang period that had nine sculpted images on the interior, with a central seated Buddha on the back and side walls accompanied by bodhisattvas and disciples.
618 - 907

Cave 6
  • Title Translation: 第六窟
  • Period: Tang, 618-907 C.E.
  • Project: Tianlongshan Caves
  • Work Description: Cave 6 is a small square cave of the Tang period that had nine sculpted images on the interior, with a central seated Buddha on the back and side walls accompanied by bodhisattvas and disciples.
618 - 907

Cave 6
  • Title Translation: 第六窟
  • Period: Tang, 618-907 C.E.
  • Project: Tianlongshan Caves
  • Work Description: Cave 6 is a small square cave of the Tang period that had nine sculpted images on the interior, with a central seated Buddha on the back and side walls accompanied by bodhisattvas and disciples.
618 - 907

Cave 6
  • Title Translation: 第六窟
  • Period: Tang, 618-907 C.E.
  • Project: Tianlongshan Caves
  • Work Description: Cave 6 is a small square cave of the Tang period that had nine sculpted images on the interior, with a central seated Buddha on the back and side walls accompanied by bodhisattvas and disciples.
618 - 907