Showing  101 - 125 of 196 Records

Showing  101 - 125 of 196 Records
Bodhisattva Head, 3D model
  • Title Translation: 菩萨头 , 3D 模型
  • Period: Tang, 618-907 C.E.
  • Project: Tianlongshan Caves
  • Work Description: The head is from the seated bodhisattva formerly in Cave 17 on the east wall, north side. The body is now in the Nelson Atkins Museums of Art.
618 - 907

Flying Divinity, 3D model
  • Title Translation: 飞天 , 3D 模型
  • Period: Eastern Wei, 534-550 C.E.
  • Project: Tianlongshan Caves
  • Work Description: The heavenly divinity carved in relief is holding a bowl in the gesture of offering.
534 - 550

Flying Divinity, 3D model
  • Title Translation: 飞天 , 3D 模型
  • Period: Northern Qi, 550-577 C.E.
  • Project: Tianlongshan Caves
  • Work Description: The heavenly musician from the ceiling of Cave 16 plays a pipa or lute-like instrument.
550 - 577

Bodhisattva Head, 3D model
  • Title Translation: 菩萨头 , 3D 模型
  • Period: Tang, 618-907 C.E.
  • Project: Tianlongshan Caves
  • Work Description: The head is from the seated bodhisattva on the east wall of Cave 17 at the proper left side of the Maitreya Buddha.
618 - 907

Guardian Standing, 3D model
  • Title Translation: 天王、护法力士立像 , 3D 模型
  • Period: Tang, 618-907 C.E.
  • Project: Tianlongshan Caves
  • Work Description: The muscular body and fierce expression of this door guardian from Cave 17 create a vivid impression of strength.
618 - 907

Buddha Head, 3D model
  • Title Translation: 佛头 , 3D 模型
  • Period: Northern Qi, 550-577 C.E.
  • Project: Tianlongshan Caves
  • Work Description: The large head is from the niche on the west wall of Cave 1.
550 - 577

Buddha Seated, 3D model
  • Title Translation: 坐佛 , 3D 模型
  • Period: Tang, 618-907 C.E.
  • Project: Tianlongshan Caves
  • Work Description: The Buddha sits in meditation with his right hand extended downward in the gesture of bhumispara (earth touching).
618 - 907

Bodhisattva Head, 3D model
  • Title Translation: 菩萨头 , 3D 模型
  • Period: Tang, 618-907 C.E.
  • Project: Tianlongshan Caves
  • Work Description: The head is from the seated bodhisattva on the north wall, west side, Cave 18, as recorded in historical photographs. The topknot and nose are restored.
618 - 907

Bodhisattva Standing, 3D model
  • Title Translation: 立菩萨 , 3D 模型
  • Period: Tang, 618-907 C.E.
  • Project: Tianlongshan Caves
  • Work Description: This standing bodhisattva is unusually well-preserved and can be identified with a figure on the north wall in historic photographs of Cave 18.
618 - 907

Bodhisattva Head, 3D model
  • Title Translation: 菩萨头 , 3D 模型
  • Period: Sui, 581-618 C.E.
  • Project: Tianlongshan Caves
  • Work Description: The head is from one of the standing bodhisattvas on the west wall of Cave 8.
581 - 618

Bodhisattva Head, 3D model
  • Title Translation: 菩萨头 , 3D 模型
  • Period: Northern Qi, 550-577 C.E.
  • Project: Tianlongshan Caves
  • Work Description: The bodhisattva head wearing elaborate crown is possibly from Cave 16.
550 - 577

Cave 10
  • Title Translation: 第十窟 , 3D模型
  • Period: Northern Qi, 550-577 C.E.
  • Project: Tianlongshan Caves
  • Work Description: Cave 10 is a Northern Qi cave that is just west of the colossal sculptures and wooden structure of Cave 9. It is accessible through an opening in the east wall adjacent to Cave 9. The entrance porch is now high above path in front of the cave. Still partially preserved on the west side, it has one large pillar remaining on the west side. The entrance porch has two guardian figures standing outside, one of which mostly remains. Like the other caves of the Northern Qi period at Tianlongshan, this is one of the larger caves, its interior a square chamber more than three meters on each side with figures carved on four walls. There are recessed niches on the back and side walls that contain most of the principle sculptural images. Smaller figures of musicians and lions appear along the front of the low altar.
550 - 577

Flying Divinity, 3D model
  • Title Translation: 飞天 , 3D 模型
  • Period: Eastern Wei, 534-550 C.E.
  • Project: Tianlongshan Caves
  • Work Description: The flying divinity or apsaras holds an alms bowl over its head.
534 - 550

Disciple Ananda Head, 3D model
  • Title Translation: 弟子阿难头 , 3D模型
  • Period: Northern Qi, 550-577 C.E.
  • Project: Xiangtangshan Caves
550 - 577

Western Paradise, 3D model
  • Title Translation: 西方极乐世界 , 3D模型
  • Period: Northern Qi, 550-577 C.E.
  • Project: Xiangtangshan Caves
  • Work Description: High relief carving of Western Paradise. Amitabha presides over a lotus pond that contains flowers opening to reveal newborn souls. Numerous deities and celestial attendants fill in the tableau.
550 - 577

Guardian King, 3D model
  • Title Translation: 天王、护法力士 , 3D模型
  • Period: Northern Qi, 550-577 C.E.
  • Project: Xiangtangshan Caves
550 - 577

River Spirit King, 3D model
  • Title Translation: 河灵王 , 3D模型
  • Period: Northern Qi, 550-577 C.E.
  • Project: Xiangtangshan Caves
550 - 577

Pratyekabuddha Head, 3D model
  • Title Translation: 辟支(缘觉)佛头 , 3D模型
  • Period: Northern Qi, 550-577 C.E.
  • Project: Xiangtangshan Caves
550 - 577

Monster Kneeling, 3D model
  • Title Translation: 跪鬼神 , 3D模型
  • Period: Northern Qi, 550-577 C.E.
  • Project: Xiangtangshan Caves
550 - 577

Disciple Ananda Standing, 3D model
  • Title Translation: 弟子阿难立像 , 3D模型
  • Period: Northern Qi, 550-577 C.E.
  • Project: Xiangtangshan Caves
550 - 577

Wanfo Pavilion (Wanfoge, Ten Thousand Buddhas Pavilion), 3D reconstruction
  • Title Translation: 万佛阁 , 3D重建
  • Period: Ming, c. 1444 C.E.
  • Project: Beijing Zhihua Temple
  • Work Description: The upper level of Rulai Hall is the Wanfo Pavilion (Ten Thousand Buddhas Pavilion), which is a smaller 3-bay-by-3-bay structure. The Pavilion features the “Three Bodies of the Buddha” (sanshen fo), with Buddha Vairocana at the center accompanied by Śākyamuni to its left and Rocana Buddha (Luzhena fao) to its right. While the lower-level ceiling is flat, consisting of square panels (tianhua), the ceiling on the second level features a magnificent coffered ceiling (zaojing), now installed in the Chinese gallery of the Nelson Atkins Museum of Art. Rulai Hall and Wanfo Pavilion together form the religious center of the temple.
1444

Coffered Ceiling from Zhihua Hall (Zhihuadian, Hall of Transforming Wisdom), 3D model
  • Title Translation: 智化殿天花与藻井 , 3D模型
  • Period: Ming, c. 1444 C.E.
  • Project: Beijing Zhihua Temple
  • Work Description: The Zhihua monastery is one of the great Buddhist temple compounds in the Chinese capital of Beijing. Conceived on a grand scale, the compound was built in the early 1400s by the eunuch Wang Zhen. This ceiling comes from the second of five main halls on the monastery's central axis—the Hall of Great Wisdom.To give visitors a sense of the original context, the Museum installed the ceiling with architectural elements reconstructed from measured drawings made at the original site. In the center is a writhing imperial dragon surrounded by clouds, bracketing, and eight canted panels, each bearing a smaller dragon among clouds. Lotuses, apsaras (Buddhist flying musicians), and other Buddhist religious symbols are carved in the surrounding panels. The Chinese name for this central part of the ceiling is tianjing, or "well of heaven." While most of the original red lacquer is well preserved, much of the rich overlay of gold leaf has been lost.A series of model temples supported by cloud-decorated brackets encompass the central element; within these miniature structures are delicately carved sculptures of Buddhas and bodhisattvas. The remainder of the ceiling consists of square panels painted with stylized lotus flowers that show the influence of Tibetan Buddhism (Lamaism). Each bears a character from a North Indian script (called Lantsha by the Tibetans) that symbolically recreates the universe. The model temples and panels may have been added during repairs made in the Kangxi period (1662–1722).
1444

Buddha Seated, 3D model
  • Title Translation: 坐佛 , 3D 模型
  • Period: Tang, 618-907 C.E.
  • Project: Tianlongshan Caves
  • Work Description: One of the finest and best-preserved sculptures from Tianlongshan, this Buddha figure was the principal image in Cave 21.
618 - 907

Buddha Head, 3D model
  • Title Translation: 佛头 , 3D 模型
  • Period: Tang, 618-907 C.E.
  • Project: Tianlongshan Caves
  • Work Description: The torso appears to be from a standing bodhisattva on the east wall of Cave 6.
618 - 907

Bodhisattva Standing, 3D model
  • Title Translation: 立菩萨 , 3D 模型
  • Period: Eastern Wei, 534-550 C.E.
  • Project: Tianlongshan Caves
  • Work Description: This is an assembled figure whose body and head were taken from Cave 2 and Cave 3 respectively, both dating to the first half of the sixth century.
534 - 550