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201 - 204 of 204 Records
Devotee Relief, 3D model
- Title Translation: 信徒浮雕 , 3D 模型
- Period: Eastern Wei, 534-550 C.E.
- Project: Tianlongshan Caves
- Work Description: The devotees hold an incense burner and long-stemmed lotus buds as offerings.
534 - 550
Flying Divinity, 3D model
- Title Translation: 飞天 , 3D 模型
- Period: Eastern Wei, 534-550 C.E.
- Project: Tianlongshan Caves
- Work Description: The flying divinity or apsaras holds an alms bowl over its head.
534 - 550
Buddha, 3D model
- Title Translation: 佛坐像 , 3D 模型
- Period: Tang dynasty, 618 – 907 C.E.
- Project: Dispersed Buddhist Sculptures
- Work Description: Following its introduction from India centuries earlier, Buddhism flourished in China under the powerfully cosmopolitan Tang dynasty. Characteristic of Tang style in its robust, tapered physique, this monumental figure exhibits iconographic features distinctive to the Buddha: tightly curled hair covering a cranial mound symbolizes his enlightenment; and a forehead depression that originally held a stone or jewel represents wisdom. The articulated folds of the deity’s flowing robe integrate Indian sensuality with a distinctly Tang blend of realism and linear elegance. Capping the deity’s right shoulder, this garment discreetly modifies a fully bare-chested style described in Indian monastic texts. The stepped pedestal rises from a base encircled by lotus petals pure white flowers that rise from muddy water and thereby evoke Buddhist beliefs in purity and the search for enlightenment. Above, musicians encircling the tapered stem evoke an ideal, celestial realm. Together with two attendant bodhisattvas in the Art Institute collection (1930.84 and 1930.85), this sculpture came to the museum in 1930 with a note of its discovery in a temple known as Cangfosi in northern Hebei province. Neither archaeological nor written records have been located to confirm this reported site. The scale and stone medium of these figures suggest that they were commissioned for a cave temple or shrine—a chamber carved into the face of a mountain or cliff. Source: Art Institute of Chicago, CC0 (https://www.artic.edu/artworks/9613/head-of-guanyin)
618
Monk, 3D model
- Title Translation: 僧
- Period: Sui Dynasty, 589 CE–618 CE
- Project: Xiangtangshan Caves
- Work Description: “Expressing serene dignity, these youthful monks stand erect, their eyes downcast and hands firmly joined in reverent prayer. Their long earlobes allude to earrings that were worn by the Buddha as a young Indian prince and to his rejection of material wealth. Characteristic of Sui dynasty sculpture, the monks’ sharply defined facial features and the folds of their robes enhance the figures’ flat, understated modeling. Each of their robes was originally painted with rectangles of different colors, signifying the patchwork mantle worn by the Buddha and by pious monks who emulated his humble values. Only shadowy traces of these pigments are now evident.” — Art Institute of Chicago, Monk, accessed February 28, 2025, https://www.artic.edu/artworks/11094/monk.
589 - 618