Showing
301 - 325 of 598 Records
Cave 14
- Title Translation: ē¬¬ååēŖ
- Period: Tang, 618-907 C.E.
- Project: Tianlongshan Caves
- Work Description: Cave 14 is a Tang cave that had finely carved sculptures, many of which are now in collections outside China
Cave 15
- Title Translation: ē¬¬åäŗēŖ
- Period: Tang, 618-907 C.E.
- Project: Tianlongshan Caves
- Work Description: Cave 15 is a small Tang dynasty cave formerly with muscular guardian figures standing at the entrance. Very few sculptural traces remain inside the cave.
Cave 15
- Title Translation: ē¬¬åäŗēŖ
- Period: Tang, 618-907 C.E.
- Project: Tianlongshan Caves
- Work Description: Cave 15 is a small Tang dynasty cave formerly with muscular guardian figures standing at the entrance. Very few sculptural traces remain inside the cave.
Cave 18
- Title Translation: ē¬¬åå «ēŖ
- Period: Tang, 618-907 C.E.
- Project: Tianlongshan Caves
- Work Description: Cave 18 is one of the most important Tang dynasty caves. Its remaining sculptures are better preserved than the sculptures in many other caves. Though they are damaged and a few completely removed, they still show the excellent quality of the carving as well as the arrangements and poses of the figures to a large extent. In recent years the cave was sealed to protect its contents.
Cave 18
- Title Translation: ē¬¬åå «ēŖ
- Period: Tang, 618-907 C.E.
- Project: Tianlongshan Caves
- Work Description: Cave 18 is one of the most important Tang dynasty caves. Its remaining sculptures are better preserved than the sculptures in many other caves. Though they are damaged and a few completely removed, they still show the excellent quality of the carving as well as the arrangements and poses of the figures to a large extent. In recent years the cave was sealed to protect its contents.
Cave 18
- Title Translation: ē¬¬åå «ēŖ
- Period: Tang, 618-907 C.E.
- Project: Tianlongshan Caves
- Work Description: Cave 18 is one of the most important Tang dynasty caves. Its remaining sculptures are better preserved than the sculptures in many other caves. Though they are damaged and a few completely removed, they still show the excellent quality of the carving as well as the arrangements and poses of the figures to a large extent. In recent years the cave was sealed to protect its contents.
Cave 18
- Title Translation: ē¬¬åå «ēŖ
- Period: Tang, 618-907 C.E.
- Project: Tianlongshan Caves
- Work Description: Cave 18 is one of the most important Tang dynasty caves. Its remaining sculptures are better preserved than the sculptures in many other caves. Though they are damaged and a few completely removed, they still show the excellent quality of the carving as well as the arrangements and poses of the figures to a large extent. In recent years the cave was sealed to protect its contents.
Cave 21
- Title Translation: ē¬¬äŗåäøēŖ
- Period: Tang, 618-907 C.E.
- Project: Tianlongshan Caves
- Work Description: Cave 21 is the largest Tang dynasty cave with the exception of Cave 9. It now has traces of only a single larger than life-sized seated Buddha on the north (back) wall and five standing attendants (Photograph. Li 2003, color pl. 21). The cave is damaged by a large fissure in the stone that cuts across the east and west walls, thus the stone may not have been suitable for sculpting. It is possible that some of the figures formerly made for the cave were not attached to the walls, but carved separately and placed into the cave.
Cave 21
- Title Translation: ē¬¬äŗåäøēŖ
- Period: Tang, 618-907 C.E.
- Project: Tianlongshan Caves
- Work Description: Cave 21 is the largest Tang dynasty cave with the exception of Cave 9. It now has traces of only a single larger than life-sized seated Buddha on the north (back) wall and five standing attendants (Photograph. Li 2003, color pl. 21). The cave is damaged by a large fissure in the stone that cuts across the east and west walls, thus the stone may not have been suitable for sculpting. It is possible that some of the figures formerly made for the cave were not attached to the walls, but carved separately and placed into the cave.
Cave 21
- Title Translation: ē¬¬äŗåäøēŖ
- Period: Tang, 618-907 C.E.
- Project: Tianlongshan Caves
- Work Description: Cave 21 is the largest Tang dynasty cave with the exception of Cave 9. It now has traces of only a single larger than life-sized seated Buddha on the north (back) wall and five standing attendants (Photograph. Li 2003, color pl. 21). The cave is damaged by a large fissure in the stone that cuts across the east and west walls, thus the stone may not have been suitable for sculpting. It is possible that some of the figures formerly made for the cave were not attached to the walls, but carved separately and placed into the cave.
Cave 4
- Title Translation: ē¬¬åēŖ
- Period: Tang, 618-907 C.E.
- Project: Tianlongshan Caves
- Work Description: Cave 4 is a small cave of the Tang dynasty. The existing porch in front of the entrance is about 1.5 meters wide. There were originally seven sculpted figures in the cave, a seated Buddha on the back wall, two seated bodhisattvas in the corners on the east and west side, and four standing figures. Most have been cut away.
Cave 5
- Title Translation: ē¬¬äŗēŖ
- Period: Tang, 618-907 C.E.
- Project: Tianlongshan Caves
- Work Description: Cave 5 is a small Tang dynasty cave whose front wall is now missing so that its original plan and contents are now unknown. Two seated images remain, a Buddha and bodhisattva.
Cave 6
- Title Translation: ē¬¬å ēŖ
- Period: Tang, 618-907 C.E.
- Project: Tianlongshan Caves
- Work Description: Cave 6 is a small square cave of the Tang period that had nine sculpted images on the interior, with a central seated Buddha on the back and side walls accompanied by bodhisattvas and disciples. On the exterior the traces of two guardian figures appear at the sides of the entrance. The exterior still has a small porch in front.
Cave 6
- Title Translation: ē¬¬å ēŖ
- Period: Tang, 618-907 C.E.
- Project: Tianlongshan Caves
- Work Description: Cave 6 is a small square cave of the Tang period that had nine sculpted images on the interior, with a central seated Buddha on the back and side walls accompanied by bodhisattvas and disciples. On the exterior the traces of two guardian figures appear at the sides of the entrance. The exterior still has a small porch in front.
Cave 7
- Title Translation: ē¬¬äøēŖ
- Period: Tang, 618-907 C.E.
- Project: Tianlongshan Caves
- Work Description: Cave 7, the smallest cave in the eastern sector, is a Tang cave situated at right side of the porch of Cave 8. The square chamber appears have had five sculpted images, a seated Buddha, two seated bodhisattvas, two small standing figures.
Cave 9
- Title Translation: ē¬¬ä¹ēŖ
- Period: Tang, 618-907 C.E.
- Project: Tianlongshan Caves
- Work Description: Cave 9 was cut into the eastern edge of the western section at Tianlongshan in the Tang dynasty. It consists of a huge niche with two levels. The upper level is set back and has a massive colossal Maitreya Buddha image more than 7.5 meters high, seated with his back against the cliff and his head reaching nearly to the cliff top. The lower level has three large bodhisattvas carved in the round, a central standing eleven-headed Avalokitesvara (Guanyin) and two seated bodhisattvas at the sides, each riding on an animal. The Guanyin figure stands 5.5 meters high. Its head is a modern replacement for the original one. The bodhisattva on the east side, mounted on an elephant, is Samantabhadra (Puxian), and the one on the west side, sitting on a lion, is Manjusri (Wenshu). The large group of carvings is protected by a tall wooden structure that was reconstructed in recent times. The original building, believed to be from the Tang, was repaired in the tenth century, as recorded on the stele dated 975 preserved at the site.
Cave 15
- Title Translation: ē¬¬åäŗēŖ
- Period: Tang, 618-907 C.E.
- Project: Tianlongshan Caves
- Work Description: Cave 15 is a small Tang dynasty cave formerly with muscular guardian figures standing at the entrance. Very few sculptural traces remain inside the cave.
Cave 17
- Title Translation: ē¬¬åäøēŖ
- Period: Tang, 618-907 C.E.
- Project: Tianlongshan Caves
- Work Description: Cave 17 is a relatively small Tang cave that had numerous fine sculptural images. On the interior there were three seated Buddhas, two standing bodhisattvas, and six seated bodhisattvas around three walls. Many figures and fragments from Cave 17 are known to be in museums outside China.
Tianlongshan Caves
- Title Translation: 天é¾å±±ē³ēŖ
- Period: Eastern Wei, Northern Qi, Sui, Tang, 534-907 C.E.
- Project: Tianlongshan Caves
- Work Description: The main site of Tianlongshan is located near the top of the mountain, 1,700 meters above sea level, on two sectors of a fissured sandstone cliff. The caves extend horizontally for about 500 meters across the two adjoining cliffs that are known as the Eastern and Western Peaks. The Tianlongshan grottoes are mostly of small and medium scale, square chambers with images on raised altars principally around the back and side walls. One of the caves is a central pillar cave with image niches cut into the central pillar and the walls around it, and there are also colossal images carved into the cliffside where a large multistory pavilion is built over them. Caves 1-8 and the four upper level caves are in the east sector of the site, and Caves 9-21 in the west sector. This is a general view of caves (including Cave 1-8 ) on the eastern peak.
Cave 9
- Title Translation: ē¬¬ä¹ēŖ
- Period: Tang, 618-907 C.E.
- Project: Tianlongshan Caves
- Work Description: Cave 9 was cut into the eastern edge of the western section at Tianlongshan in the Tang dynasty. It consists of a huge niche with two levels. The upper level is set back and has a massive colossal Maitreya Buddha image more than 7.5 meters high, seated with his back against the cliff and his head reaching nearly to the cliff top. The lower level has three large bodhisattvas carved in the round, a central standing eleven-headed Avalokitesvara (Guanyin) and two seated bodhisattvas at the sides, each riding on an animal. The Guanyin figure stands 5.5 meters high. Its head is a modern replacement for the original one. The bodhisattva on the east side, mounted on an elephant, is Samantabhadra (Puxian), and the one on the west side, sitting on a lion, is Manjusri (Wenshu). The large group of carvings is protected by a tall wooden structure that was reconstructed in recent times. The original building, believed to be from the Tang, was repaired in the tenth century, as recorded on the stele dated 975 preserved at the site.